...captured story from street

"Time Machine" | Washington DC | 2015

Black and White Shoots

My fascination with monochrome photography had always burned brightly within me, kindled by the legendary Henry Cartier-Bresson's timeless works. But it was only recently that I came to realize the profound essence of this art form. Monochrome photography, I discovered, is not merely the act of transforming color into shades of black and white; it is a captivating dance of storytelling, emotion, light, and shadow.
As I delved deeper into this world, I found that monochrome was a realm where narratives came to life in shades of gray. It was a canvas on which emotions could be painted with the brushstrokes of light and shadow. Each frame became a vessel of expression, a journey through the intricacies of the human experience. I learned that monochrome was not just about capturing moments but about translating the very essence of a scene, a person, or an event. It was a means to convey the unspoken, to unveil the hidden, and to evoke a timeless connection with the observer. In monochrome, I discovered the profound beauty of photography beyond color—a world where the soul of the image was illuminated by its absence, where a story unfolded through the interplay of light and shadow. Henry Cartier-Bresson's inspiration had led me to a deeper understanding of this art form, where the absence of color was a symphony of life's most profound moments.
Busy day | Library of University of Washington | Seattle | 2015
Flowers from the lovers | 9-11 Memorial | New York | 2015
Finding the light | Seoul subway | 2017
Offline source of knowledge | Seattle Library | 2015
Waiting for the train | New York | 2015
Half full and half empty | Seoul | 2017
Through the rain | Singapore | 2014
Brooklyn bridge with a little haze background | New York | 2015
Feeling the shopping adrenaline | Seoul | 2017

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